wax

This weekend is the last chance to see the spectacular encaustic show at the Pajaro Valley Arts Council Gallery. This show, curated by Wendy Aiken and Daniella Woolf, is certainly a must-see.

WAX entry wall

Hanging right there on the front wall is a piece by yours truly. This piece, entitled One Thing is Not the Other, sold at the show, and I can honestly say I will miss it because it’s been hanging in my studio for the past few months (seen here on a wall at my Open Studios 2011).

It is 20″x86″, and is done over a photo I shot of a great blue heron at a natural history museum…certainly one of the more unusual taxidermy poses I’ve seen of a heron.

Here’s a close-up of this piece:

Detail: One Thing is Not the Other

Posted in Shows | Tagged , | Leave a comment

how to look like an artist in ten easy steps

Actually, I lured you in with a good title for my post, but I don’t have ten easy steps, only two…

1. Wear pants like these (and maybe don’t brush your hair):

painting pants

2. Wear something that matches your painting (refer to these photos of Claire Thorson, Tom Maderos and I, next to our paintings today):

Claire, Tom, Barbara in front of their paintings

Posted in General Musings | Tagged | Leave a comment

recant and reiterate

What was I thinking yesterday when I wrote, regarding my new large-scale pieces, “This has been satisfying work”?!? That sounds lackluster and ambivalent. I need to recant that statement, and I would like to state… no… exclaim, “This is great!  This is amazing and wonderful! I love doing this!”

You can’t see the gleam in my eyes, and therein lies the weakness in blogging to communicate these things.

Honestly, I do feel that I have found something that resonates deeply with me, and I’m thankful for that. I like the scale of these pieces, I like working in mixed-media, I like the fact that I can work at a quick pace but continue to iterate, and modify, and work over. I like the materials I’m using (thin paint, rollers, very nubby/toothy canvas). This might be the most fun I’ve had in the studio in years. Or ever.

Not to say there’s not a struggle to bring the image to fruition. These pieces have just as hard of a time being born as any piece does. I grapple with each one, painting this over, emphasizing that, removing the other thing. Eventually it starts to coalesce into something that makes sense to me.

Here’s one titled Haven, 6′x9′.

Haven, Mixed-Media painting

Haven, Mixed-Media on unstretched canvas, 72"x108", 2012

And here’s a view of the studio, with three of these pieces up. Obviously the scale is important in these pieces, so this gives a better idea of scale. That middle one is not yet finished, but you’ll be sure to see it on this blog when it is. Barbara Downs studio shot

Posted in Making Art | Tagged , , | Leave a comment

the bigger the better

I’ve been working on some large-scale pieces lately with my painting group. We’ve been working on 6′x9′ unstretched cotton canvas, stapled to the wall. I’m using primarily acrylic paint and gesso, along with various drawing materials. The gesso gives me a very opaque color and some tooth onto which the drawing materials can adhere.

This has been satisfying work, and has reminded me how much I enjoy working with mixed-media materials and working large, and how important drawing is to me, even when I’m painting.

Here’s my set-up…

And here I am working on the first piece…Barbara Downs working in studio

That piece, which was done a few weeks ago, is shown in this short video in various stages of completion…

You can see that I started with a canvas split into two halves, red and white. From there, I drew figures in, then drew and painted and edited over many iterations. The finished piece is titled “Falling and Fallen”.

Posted in Making Art | Tagged , , , | 1 Comment

in case you missed it

A bit late, but here are some photos from my open studios in October, in case you were unable to attend. These are my two favorite walls, showing paintings on one and encaustic and sculpture on another.  The chair on the wall is titled “Have a Seat”.

Open Studios 2011 wall

Posted in Shows | Tagged , , | Leave a comment

pentimenti

Pentimenti“A painter’s term for the evidence in a work that the original composition has been changed. Often the opaque pigment with which the artist covered a mistake or unwanted beginnings will, with time or injudicious cleaning, become transparent, and a revelation of original intentions will become visible through the finished composition.” Columbia Encyclopedia

David Cohen writes in his recent review of Jenny Saville’s show at Gagosian Gallery, ”True pentimenti arise in the struggle to find position, to define form; they are retained either because the artist has no interest in disguising what led to the discovery; or else, sometimes, because they add texture, and thus heft, to an image (think Matisse, whose pentimenti somehow never undermine the illusion of single shot miracle in his charcoal drawings).  Or else, a tolerable mannerism, pentimenti can signal the effort and time that were necessary to fix the image and thus are part of that image (Larry Rivers, Frank Auerbach, Eugene Leroy.)”

My paintings often include pentimenti, as I layer paint over paint and modify color and composition. Sometimes I paint over old paintings, which is technically not pentimenti, but who’s going to argue the point? I like previous layers showing through…it’s less about mannerism and more about adding richness and unexpected passages to a painting.

Migration (I), 2010, Oil on Canvas

Migration (II), 2011, Oil on Canvas

Posted in General Musings, Making Art | Tagged | 1 Comment

faces

At Open Studios, someone asked me why I don’t paint faces on my figures, which caused me to pause and question myself, “Do I paint faces?”

Of course I do! They stare down at me from the paintings on my walls. My figures–and faces–have become more abstracted over the last several years, but facial expressions and body gestures remain of utmost importance. It’s a challenge to see how far I can distill things down while still retaining the humanness of the figure.

Here are some (of many) faces. You can click on the thumbnail to open the complete image.

Posted in Making Art | Tagged , , | Leave a comment

sneak previews

One more weekend of Open Studios, October 15&16, 11am-5pm. I try to not work in my studio between the two weekends of Open Studios because I make such a mess, but I couldn’t resist. I started (and may possibly finish) a small sculpture, horsehair and steel, a surprisingly-harmonious set of materials. And I did a few quick acrylic sketches because I had that painting itch.

Sneak previews…

canvases awaiting acrylic sketches

in-progress sculpture

 

Posted in Making Art, Shows | Tagged , | Leave a comment

studio happenings

A neighbor discarded a metal table base, which I have now refashioned into a new welding table by strengthening it to support a 325-pound 1/4″ steel plate. Very nice! I have wonderful studio neighbors who are generous with their time and assistance–and their discards, and their forklift!

new welding table

This is one of those studio additions that you don’t know you need until you have it. I was reasonably happy with my smaller table, but this one will be a real luxury. All that space… 4′x8′ of space! I am just itching to get some work done on it, but Open Studios starts this weekend so the last thing I should be doing in my clean studio is welding. It will have to wait.

You can see a large drawing in the background that is ready for Open Studios. Stop by and take a look around. I will be open from 11am-5pm, Saturday and Sunday, at Mission Industrial Studios in Santa Cruz.

Posted in studio | Tagged | Leave a comment

open studios 2011

Coming up very soon is Open Studios 2011:

Am I ready? Most certainly not. My studio is a mess, but it is immeasurably more interesting to work on artwork than to work at cleaning the studio. But I will clean it–clean enough for visitors–and I’d love to see you there! Here is a preview, but I promise the ladders and clutter will be out of the way …

 

Posted in Shows, studio | Tagged | Leave a comment